First Novel: Irons in the Fire is Published!

Irons in the Fire Final Cover1

 

And so it begins. I’ve dipped my toes into the world of indie publishing, but now it’s time to take the plunge. Irons in the Fire is a steampunk fantasy filled with mystery, murder, magic, and revolution. It is the first novel in the Chronicles of Talis and now available for a limited launch price of $0.99 at Amazon, iBooks, Barnes & Noble and Kobo.

 

Here is the Blurb and a Brief Excerpt:

The City of Talis is a fragile beacon of civilization on the edge of the Faërie Lands. Beyond lies a wilder world of dark enchantments and terrible wonders, but behind the city walls humans and faëries live together in uneasy peace—until an explosion rocks the city and long-smoldering tensions threaten to ignite. 

As the Commandant of Police, Baron Hessing has maintained stability for decades. But with a murderer on the loose, an anarchist bombing the city, and rumors of a faërie uprising, he is starting to lose control. Hessing finds himself caught in a web of interlocking conspiracies and he may need to choose between saving his city and saving his family. 

Into this maelstrom appears the Countess. Trained from birth for a single purpose—vengeance—suddenly she appears everywhere from secret catacombs to the halls of power. Beset by enemies on all sides, it will take all her training to succeed in a city on the brink of revolution. Plans are in motion, centuries in the making, that will change the fate of Talis forever. 

 

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Prologue

The boy had light fingers and quick hands. Sergeant Obry almost hadn’t noticed him. He watched the pickpocket as he weaved through the crowd and sidled up to an unsuspecting satyr. The boy lifted the faërie’s wallet and gold watch too, for good measure. Then he was gone. No one else had noticed. Not that anyone would have cared. Even the boy probably didn’t realize he had been seen. Sergeant Obry chuckled to himself at the thought.

The Rook Gate was crowded. Carriages and carts vied with omnibuses and trolleys, while pedestrians—human or otherwise—slipped in-between, heedless of the danger. It was easy for the boy to lose himself in the hustle and bustle.

Across the street, a cut-rate illusionist offered spells for a penny, but there was more trickery than magic in him. Probably a dropout from the local Wizarding College, Sergeant Obry thought, and he wondered how the illusionist had been permitted to ply his trade so close to the Gate. Someone had been paid under the table, no doubt, but it hadn’t been him. A block over to the right, a monkey and his organ grinder churned out the same few songs over and over again, adding to the cacophony of noise—the clattering hooves, the rattling carriages, and the rumbling of the overhead train.

Obry’s vision wasn’t what it used to be, but he had a well-trained eye and the benefit of long experience. He found the pickpocket again, almost too easily. He never would have admitted it, but he was a little disappointed. He had expected better. The boy had made his way across the street into the shadow of the great wall that encircled the Old Quarter, all that remained of the original City of Talis.

One of the oldest of the Twelve Great Cities, Talis was second only to the capital in wealth and prestige. It straddled both sides of the river and over the centuries had risen into a multi-tiered hodgepodge of crumbling rooftops and smoke-stained spires. There was a thriving population of nymphs, hobgoblins, fauns, pixies, and all manner of faërie creatures, largely segregated in their own Quarter. It was safer for all concerned.

Obry found it difficult, sometimes, to pin down what precisely constituted a faërie. It had become a catchall term for any creature or being that came from beyond the Twelve Cities, from the Lands of Faërie. There were few true fairies or fey among them, and in Obry’s experience most of them had been born in the Cities themselves, until recently at least.

Shaking himself from his thoughts, Obry turned his attention back to the boy. He had chosen a human this time, a dandy, all frills and powders. Obry sighed; as amusing as the pickpocket’s antics were, it was no longer any of his business.

He glanced down. The paperwork all seemed to be in order. He stamped the permits with the Official City Seal of Talis, and returned them.

“Have a nice day,” Obry said.

The family didn’t reply. The father took the papers without a word, while the mother and her children avoided his gaze. Strange bird-faced creatures, they kept their heads down as they passed beneath the armed guards and continued through the Gate.

Obry turned and craned his neck upward. A cyclops loomed above him in an ill-fitting coat and tails.

“Papers please,” Obry said, stifling another sigh. Sometimes it was hard to remember that he had requested this assignment, put in the transfer request himself. He had spent forty years on the streets, patrolling the Faërie Quarter, spying in bars, doing Commandant Hessing’s dirty work, but he was older now. He was tired. Hessing had understood. The Commandant was an old bastard himself, but he made a point of rewarding loyalty, and had personally arranged Obry’s new post.

He stamped the cyclops’ permit and waved him through. The cyclops gave him what could have been a polite nod. Obry returned it. The Rook Gate was the most secure checkpoint in the city. Armed guards lined the wall, and there were specially trained sniffer dogs, their three heads alert for the slightest whiff of magic. It was an easy assignment, free from excitement, a way station on the road to retirement and a chance to line his pockets. He and Johanna wouldn’t be able to live comfortably on a policeman’s pension alone.

Obry frowned. For a moment he thought he’d heard a faint whistling, but a quick glance at the crowd revealed no whistlers. He shook it off and nodded to the waiting faërie, a minotaur in a top hat. His papers were not in order, but the fifty-pound note concealed among them certainly was. Obry pocketed the money subtly and stamped the minotaur’s papers.

“Have a nice day,” he said again with a little more cheer in his voice. The minotaur gave him a secret smile.

Unlike many of his colleagues, Obry didn’t mind working with faëries and monsters. Some of them were almost human and he was even friendly with a few of them, or as friendly as their kind could be. There were more of them now than ever before. Refugees of every kind and shape were flooding into the city daily. None of those Obry had spoken to had been willing or able to explain what they were running from, but they were all filled with a nameless dread.

Talis was starting to creak under the strain, and while he wasn’t much given to politics, Obry was of the opinion that they could avoid a lot of unpleasantness if Parliament and the Duke just granted passed the Faërie Rights legislation. Not equal rights, of course. His Ma, Gods rest her soul, would have turned over in her grave, but a few gradually implemented rights to calm them down and help civilize them wouldn’t be amiss. They weren’t living in the Faërie Lands any longer, but there was no reason they couldn’t adapt.

Obry stamped an air sprite’s papers absently. The whistling was back again, closer now. He thought of asking one of the nearby guards, but they didn’t seem to have heard anything. Obry wasn’t fond of them anyway. The puffed-up bastards would only laugh and call him ‘Grandpa.’ Obry had confronted rampaging manticores and goblins, even faced down a witch one terrible night, armed only with a cudgel. Let the idiots laugh, with their rifles and shiny bayonets.

Obry barely even skimmed over the next permit. The whistling was getting louder now. It was distracting, and worse, it was making him nervous. Something was wrong. A train had just rumbled through the rooftops and screeched to a halt at the new platform high above the street. That could have been it, but Obry knew it wasn’t. It had been a whistle not a shriek. People and faëries were descending from the platform into the already crowded streets. Obry caught sight of the boy again as he headed down a side alley, almost dancing through the masses, picking pockets left and right, but that wasn’t what he was looking for. His eyes darted through the throng, desperately.

Obry finally spotted him—a little hobgoblin man in a shabby coat, with a whistle still on his lips. Their eyes met for a long moment, and then the figure smiled mischievously and nodded toward the Gate. Obry followed his gaze, but saw nothing. When he turned back, the hobgoblin was gone, vanished into the crowd. Obry was genuinely worried now. He studied the Gate more closely, wrought from iron and designed especially to keep the faëries at bay. Still nothing. Unless…

There. Nestled in a shady corner flush against the wall was a small brown paper package wrapped in string. In an instant Obry knew, without being told, what was inside. His instincts were screaming the answer, but he couldn’t understand how the hobgoblin could have gotten close enough to plant the package, right under the guards’ watching eyes. It shouldn’t have been possible. The guard dogs would have smelled the telltale scent of magic. But that didn’t matter now. Obry leapt to his feet, a warning on his lips. He was too late.

Sergeant Obry was killed instantly. There was a terrible flash, a blinding and burning. The whole world seemed to tremble with the force of the blast. Every window within a mile’s radius shook and shattered. There was nothing now but dust and death, and the screams, so many screams. A world of mangled corpses—humans and faëries were buried beneath masonry and shrapnel, their parts mixed together until you couldn’t tell human from griffin or minotaur.

There was a crater where the Rook Gate had once stood, a gaping, smoking gash in the ancient wall. The fire was everywhere. A plume of dense acrid smoke rose into the sky and coated the remains in ash. Worse were the survivors, some no less mangled than the dead. Their voices filled the air, their cries and pleas in a thousand tongues, some not even remotely human, all in pain.

The city responded slowly, as if in a stupor. Policemen poured in from all across town, to dig through the rubble. Ambulances and fire engines came wailing, as fast as their horses and unicorns could carry them. Others came too—onlookers, volunteers, and scavengers—to pick over the dead and dying.

Amidst the chaos, the little hobgoblin man in a shabby coat made his way untouched and unnoticed through the ruins of Worst Street, away from the fire and death, whistling an old Merman Ballad to himself, as he went.

Chapter One

Her name was Countess Antoinette Wyman-Straus, and she had the documents to prove it. Very good documents they were too, printed on official paper, with the proper seals and signatures, all in order, all correct. They were fake, of course, as fake as her smile, and Mr. Covét ought to know. He had forged them himself.

Covét was an elderly faun with a severe white beard dressed in an old-fashioned frockcoat, expensive and well cared for, but decades out of style. The Countess could feel his eyes on her as she finished perusing the documents. They were quite satisfactory; but then, Covét had come highly recommended, although she had been forced to endure his constant unfriendly glances when he thought she wasn’t looking.

“These are flawless,” she said.

Covét sneered at the compliment.”Did you have any doubts?”

“None at all.” She smiled apologetically, her proper little smile, but he wasn’t paying attention, pointedly staring over her shoulder. The awkwardness lingered, and Covét showed no sign of breaking it.

“You don’t like humans very much, do you, Mr. Covét?” she asked at length, reaching into her coat.

“No, I don’t,” he replied, but took her money nonetheless. He couldn’t afford to be too particular when it came to clients, especially those who could pay.

“£1500,” she said, “as agreed.”

He lived in a ramshackle apartment above a print shop in the Faërie Quarter writing invectives and editorials for an anti-human rag, and supplemented his income with forgeries for his mostly human clients. It was only a meager living and it showed. The furniture was tattered and dusty. The wallpaper was cracked and peeling and the books were faded and well worn. They were everywhere. Every available wall space was covered in shelves, and there was a whole shelf of ancient tales containing everything from The One-Eyed King of Huor to The God-Eater and The Tripartite King. More books were piled on the floor, in chairs, or propping up tables. Only his workspace was pristine. It needed to be.

“Appearances can be deceptive,” the Countess said. “Perhaps I’m not as human as you think. Perhaps I’m something a little more.”

Covét glanced up from counting the money and gave her a once-over. She was younger than he’d thought—mid-twenties, perhaps younger, perhaps older. Human ages could be tricky, and she was human. There was no doubt of that, with her long coat and big red hat. Disgustingly, fashionably human.

“Ah,” he said. “You’re one of those. You think we can’t do it alone; think that we need humans to help us, that we’ll latch ourselves gratefully onto the first friendly face.” He sneered. “You’re not the only one to make that mistake. These days every human with a guilty conscience claims a faërie relative. Ten or twelve times removed, of course.”

She blinked at the vitriol in his voice, and what it implied. Someone else was making unwanted overtures in the faërie community. That was useful information, and so too was his response, and the speed with which he had dismissed her claim. She said nothing.

“Well,” Covét continued, “aren’t you a woman of many facets—a criminal and a faërie sympathizer.”

“I am not a criminal,” she said, her voice level.

Covét snorted. For someone so cultured, it was a surprisingly animalistic sound. “In my experience, the only humans who come to old fauns like me for help are criminals.”

He moved to the window and peered down through the curtains, his hooves clomping softly on the rug.

“Take a look, Countess,” he said.

She collected her identity papers and joined him at the window. It took her a moment to see what he was pointing at, but only a moment. There were six of them, loitering across the street. One appeared to be in a drunken stupor outside a tavern. Another was panhandling in rags and tatters, and a third leaned against a telegraph pole assiduously reading the newspaper.

“Hessing’s jackboots,” said Covét. “Spying for the Duke.” They were all too casual, carefully not watching the third floor apartment, exactly as they had been trained to not watch. And they weren’t all human. There was a bull-faced man with sharp teeth, and hiding on the far corner, a fairy of the fey fluttered on its dragonfly wings and a sphinx curled up, seemingly asleep, but with one eye open.

“Traitors,” Covét spat, then stopped himself, remembering the Countess. “I wonder which one of us they’re watching for.” He glanced at the Countess slyly. “Shall we find out?”

*

They descended the narrow stairwell together. The air was close and stale, and there was barely space for two to walk abreast. The Countess went first, silently, keenly aware of Mr. Covét’s breathing on her neck and the stamping of his hooves. She forced herself to maintain an even pace; she would not rush, or, more importantly, let him see her rush.

They passed a hag on the stairs with a long, crooked nose and spindly fingers, struggling with a bushel of groceries under each arm. She narrowed her eyes at the Countess and muttered to herself disapprovingly in her own tongue. The Countess idly wondered if those had been groceries or ingredients for hexes and spells. Not that it mattered. Not to her. Finally, they emerged out onto the street.

After the claustrophobia of the stairs, the Countess stretched and took a deep breath. She immediately swallowed back a dry retch. The city stank of sweat and soot, of manure, and other things. The old stories spoke only of wonder; they never mentioned the stench. Faëries and other monstrous creatures were inhuman and they smelled like it. She had forgotten that in her need for open air. She would have to control herself better in the future.

The Countess turned back to Mr. Covét, who was watching her with a knowing, bitter smile. She had lost ground there, a childish mistake. Composing herself, she held out a hand to shake. “Pleasure doing business with you,” she said.

Mr. Covét studied her for a long moment, glanced subtly across the street at their secret observers. Her hand didn’t waver. He shrugged and then shook it. Covét’s grasp was firm and he stared into her eyes, more curious than before, but still bitter. They parted ways with exaggerated politeness and headed in opposite directions.

Most of the spies contrived to follow Covét—the ones they could see, anyway—but two trailed after her. It was almost absurdly obvious, if you knew to look, but she wasn’t laughing. While she had been shaking the faun’s hand, the Countess had caught sight of a hobgoblin in an overcoat from the corner of her eye, but when she turned, he was gone and she couldn’t find him again. She was sure there were other spies who had escaped her notice, and that was not a comforting thought.

Still, the Duke, or Hessing, or whoever had sent those spies, clearly considered Covét the greater threat, an understandable error. She allowed herself to relax, but only slightly. It had been a long, strenuous few days, spent hiding in carts and stowing away on riverboats, but she was here at last, in Talis. She had prepared so long for this moment, too long. There were dangers all around, but she welcomed them. It was better than the endless lifetime of waiting that had preceded it.

A primly dressed young woman emerged from the crowd and took her place half a step behind the Countess. It was delicately handled. She appeared from one moment to the next, as if she had always been there.

“How did it go, my lady?” she asked.

“Mr. Covét was exactly as you described, Elise,” the Countess said. “Sullen but competent.”

“I’m glad,” Elise said with a pleased smile. The Countess gave her a tight nod, but her eyes flickered to the panhandler and the drunk who were following them. Elise didn’t turn, but she knew immediately where the Countess was looking.

“I see them.” Her hand strayed to her waist, where she had a knife secreted in her bustle, sharp and deadly. “Shall I handle them, my lady?”

Although they had only met the night before, the Countess knew that beneath her dress, Elise had a thin, wiry strength, and the Countess had no doubt that her prim and proper companion could handle the spies easily.

“Best not to draw too much attention to ourselves,” said the Countess. “Not yet. Let them see what they will see.”

“Yes, my lady.”

As they continued down the street, the crowd seemed to part around them, almost unconsciously. Men, women, and faëries found themselves stepping out of the way as if by happenstance. Elise kept her head down, but she was not surprised. For her part, the Countess was too preoccupied to notice, but if she had, it would have worried her. She should have had more control than that. It had been beaten into her for years. Control was paramount, especially for someone like her. She had been ordered to abstain from magic as much as possible, but a day in the city and already she was slipping.

Covét had been more difficult than she had expected, even with Elise’s warning; and if he was indicative of the general sentiment in the Faërie Quarter, she might have to adjust her tactics. She could be flexible. She had to be. All in service to her glorious, all-consuming purpose. She could feel it always, burning inside her, influencing her thoughts, twisting her, nudging her down the right path for its fulfillment.

“Is everything prepared for the Ritual?” the Countess asked.

“Jules is gathering the last of the ingredients. It is a delicate matter,” said Elise.

“I want to perform the Ritual as soon as possible. There’s no time to waste.”

“My brother knows that.”

“Good.”

The Purpose had been passed to her by her mother, as a legacy and an infection. Three generations had toiled beneath its auspices, and had sacrificed everything. Elise and her brother had helped prepare the way and she was grateful, but the Countess knew with terrible, vivid certainty that her purpose was hers alone. The real work had only just begun.

 

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If you want to read more, you can pick it up at AmazoniBooksBarnes & Noble and Kobo.

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Writing Updates: Sometimes You Just Have to Write

Sometimes, if you want to write you just have to write. This is a fairly obvious statement and perilously close to cliche, but I mean something far more specific. I recently finished my first novel, a steampunk fantasy currently titled Irons in the Fire. It’s with an editor now, but there’ll be more about that later this month, much more. There’s an odd let down after finishing a project as consuming as a first novel, but I deliberately planned to keep my momentum going and charge right into my next project. And that’s exactly what I did. More or less.

The problem with going from a project that’s nearly done to one that’s still forming is that it’s a very different mindset. From one day to the next, I went from polishing sentences to brainstorming plotlines and fleshing out characters. I went from the micro to the macro in the blink of an eye. I’ve spent the past few weeks brainstorming and outlining. There are holes, and vague areas, but I think I’ve reached the point where holes or no holes, the best way to figure things out is to just start writing. Going over and over the outline can only take you so far. So I’ve decided to just start writing and see if I can fix it as I go along. The results have been mixed so far. it’s going slower than I hoped, but some solutions have presented themselves, which, after all, was the point.